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The novel in Europe in the early twentieth century took a decidedly inward turn, and Choucas (1927) is an intriguing example of the modernist psychological tradition. Its author, Zofia Nalkowska (1884-1954), was a celebrated Polish novelist and playwright. She rose to prominence in interwar Poland and was one of a group of early feminist writers that included Pola Gojawiczynska, Maria Dabrowska, and Maria Kuncewiczowa.
Choucas is set in the Swiss Alps in the mid-1920s in a sanatoria village near Lake Geneva. The book has an international focus, and the narrator, a polish woman, profiles a motley collection of visitors to the village and patients at the sanatorium and their interactions with each other. Among these she encounters Armenian survivors of the 1915-16 genocide who were given refuge in Switzerland. The characters are all from different countries and each represents a distinct political or religious point of view. The title is derived from the French word for a species of bird native to this region of Switzerland. Nalkowska was known for her love of nature and animals, and the birds have symbolic significance for the characters themselves. The choucas fly down from the mountain passes seeking food, while some of the characters in the novel wander around the sanatorium seeking philosophical truths.
In Choucas, there is a strong autobiographical element to the story, as Nalkowska had stayed in a sanatorium in Leysin, Switzerland, with her husband in 1925. A comparison may also be drawn with the classic novel by Thomas Mann, The Magic Mountain (1924), which has similar themes. The book delineates a fascinating time period, and the author's concise fictional technique is strikingly innovative and groundbreaking. Choucas is a fine example of early modernist literature and is translated for the first time into English for a new generation of readers.
The local food movement is one of the most active of current civil engagement social movements. This work presents primary evidence from over 900 documents, interviews, and participant observations, and provides the first descriptive history of local food movement national policy achievements in the US, from 1976 to 2013, and in the UK, from 1991 to 2013, together with reviews of both the American and British local food movements. It provides a US-UK comparative context, significantly updating earlier comparisons of American, British and European farm and rural policies.
The comparative perspective shows that, over time, more effective strategies for national policy change required social-movement building strategies, such as collaborative policy coalitions, capacity-building for smaller organizations, and policy entrepreneurship for joining together separate rural, farming, food, and health interests. In contrast, narrowly-defined single issue campaigns often undermined long-term policy change, even if short-term wins emerged. By profiling interviews of American and English movement leaders, policymakers, and funders, the book demonstrates that democratic participation in food policy is best supported when funders incentivize groups to work together and overcome their differences.
Classical Mythology in Context provides a contextualized treatment of classical myth, combining ancient sources, comparative perspectives, theoretical approaches, and artistic interpretations. It encourages students to directly encounter and explore ancient myths and to understand them in broader interpretative contexts. It features a modular structure that coincides with the four main components of a classical mythology course: history, theory, comparison, and reception.
Who is Ruth McBride Jordan? A self-declared "light-skinned" woman evasive about her ethnicity, yet steadfast in her love for her twelve black children. James McBride, journalist, musician, and son, explores his mother's past, as well as his own upbringing and heritage, in a poignant and powerful debut, The Color Of Water: A Black Man's Tribute to His White Mother. The son of a black minister and a woman who would not admit she was white, James McBride grew up in "orchestrated chaos" with his eleven siblings in the poor, all-black projects of Red Hook, Brooklyn. "Mommy," a fiercely protective woman with "dark eyes full of pep and fire," herded her brood to Manhattan's free cultural events, sent them off on buses to the best (and mainly Jewish) schools, demanded good grades, and commanded respect. As a young man, McBride saw his mother as a source of embarrassment, worry, and confusion--and reached thirty before he began to discover the truth about her early life and long-buried pain.
In The Color of Water, McBride retraces his mother's footsteps and, through her searing and spirited voice, recreates her remarkable story. The daughter of a failed itinerant Orthodox rabbi, she was born Rachel Shilsky (actually Ruchel Dwara Zylska) in Poland on April 1, 1921. Fleeing pogroms, her family emigrated to America and ultimately settled in Suffolk, Virginia, a small town where anti-Semitism and racial tensions ran high. With candor and immediacy, Ruth describes her parents' loveless marriage; her fragile, handicapped mother; her cruel, sexually-abusive father; and the rest of the family and life she abandoned.
At seventeen, after fleeing Virginia and settling in New York City, Ruth married a black minister and founded the all- black New Brown Memorial Baptist Church in her Red Hook living room. "God is the color of water," Ruth McBride taught her children, firmly convinced that life's blessings and life's values transcend race. Twice widowed, and continually confronting overwhelming adversity and racism, Ruth's determination, drive and discipline saw her dozen children through college--and most through graduate school. At age 65, she herself received a degree in social work from Temple University.
Interspersed throughout his mother's compelling narrative, McBride shares candid recollections of his own experiences as a mixed-race child of poverty, his flirtations with drugs and violence, and his eventual self- realization and professional success. The Color of Water touches readers of all colors as a vivid portrait of growing up, a haunting meditation on race and identity, and a lyrical valentine to a mother from her son.
This loose-leaf, three-hole punched version of the textbook gives students the flexibility to take only what they need to class and add their own notes--all at an affordable price. For all introductory genetics courses. Teach students core genetics concepts and applications Concepts of Genetics emphasizes the fundamental ideas of genetics, while exploring modern techniques and applications of genetic analysis. This best-selling text continues to provide understandable explanations of complex, analytical topics and recognizes the importance of teaching students how to become effective problem solvers. The 12th Edition has been extensively updated to provide comprehensive coverage of important, emerging topics such as CRISPR-Cas and the study of posttranscriptional gene regulation in eukaryotes. An expanded emphasis on ethical considerations that genetics is bringing into everyday life is addressed in Genetics, Ethics, and Society and Case Study features. The accompanying MasteringTM Genetics online platform is updated with new tutorials and Dynamic Study Modules. Also available with Mastering Genetics Mastering TM is the teaching and learning platform that empowers you to reach every student. By combining trusted author content with digital tools developed to engage students and emulate the office-hour experience, Mastering personalizes learning and improves results for each student. With a wide range of interactive, engaging, and assignable activities, students are encouraged to actively learn and retain tough course concepts. Learn more about Mastering Genetics.