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Black ecopoet observes the changing world from a high-rise window
Award-winning poet Ed Roberson confronts the realities of an era in which the fate of humanity and the very survival of our planet are uncertain. Departing from the traditional nature poem, Roberson's work reclaims a much older tradition, drawing into poetry's orbit what the physical and human sciences reveal about the state of a changing world. These poems test how far the lyric can go as an answer to our crisis, even calling into question poetic form itself. Reflections on the natural world and moments of personal interiority are interwoven with images of urbanscapes, environmental crises, and political instabilities. These poems speak life and truth to modernity in all its complexity. Throughout, Roberson takes up the ancient spiritual concern--the ephemerality of life--and gives us a new language to process the feeling of living in a century on the brink.
Morello's Venice
startled to hear the doctor say
this would be the last time he would see it,
a person used to keeping things alive
talking terminus -- even more
startled when he returned
to hear him say it wasn't there
there were terrible rains
bookings cancelled.
when late he arrived,
everything was gone.
his wife had a cold.
they bundled together in blankets.
he refilled my prescription to
restore my soul.
Award-winning poet Ed Roberson confronts the realities of an era in which the fate of humanity and the very survival of our planet are uncertain. Departing from the traditional nature poem, Roberson's work reclaims a much older tradition, drawing into poetry's orbit what the physical and human sciences reveal about the state of a changing world. These poems test how far the lyric can go as an answer to our crisis, even calling into question poetic form itself. Reflections on the natural world and moments of personal interiority are interwoven with images of urbanscapes, environmental crises, and political instabilities. These poems speak life and truth to modernity in all its complexity. Throughout, Roberson takes up the ancient spiritual concern--the ephemerality of life--and gives us a new language to process the feeling of living in a century on the brink.
Morello's Venice
startled to hear the doctor say
this would be the last time he would see it,
a person used to keeping things alive
talking terminus -- even more
startled when he returned
to hear him say it wasn't there
there were terrible rains
bookings cancelled.
when late he arrived,
everything was gone.
his wife had a cold.
they bundled together in blankets.
he refilled my prescription to
restore my soul.
This visionary and unflinching novel is about a black woman who has spent her life carefully navigating cutthroat worlds of privilege in her career and relationships--until one day she is pulled up short by a life and death decision.
Come of age in the credit crunch. Be civil in a hostile environment. Go to college, get an education, start a career. Do all the right things. Buy an apartment. Buy art. Buy a sort of happiness. But above all, keep your head down. Keep quiet. And keep going.
The narrator of Assembly is a black British woman. She is preparing to attend a lavish garden party at her boyfriend's family estate, set deep in the English countryside. At the same time, she is considering the carefully assembled pieces of herself. As the minutes tick down and the future beckons, she can't escape the question: is it time to take it all apart? Assembly is a story about the stories we live within - those of race and class, safety and freedom, winners and losers.And it is about one woman daring to take control of her own story, even at the cost of her life. With a steely, unfaltering gaze, Natasha Brown dismantles the mythology of whiteness, lining up the debris in a neat row and walking away.
NATIONAL BESTSELLER - A symphonic novel of love and war, childhood and class, guilt and forgiveness that provides all the satisfaction of a brilliant narrative and the provocation we have come to expect from the acclaimed Booker Prize-winning, internationally bestselling author.
One of the New York Times's 100 Best Books of the 21st Century "A beautiful and majestic fictional panorama." --John Updike, The New Yorker On a hot summer day in 1935, thirteen-year-old Briony Tallis witnesses a moment's flirtation between her older sister, Cecilia, and Robbie Turner, the son of a servant and Cecilia's childhood friend. But Briony's incomplete grasp of adult motives--together with her precocious literary gifts--brings about a crime that will change all their lives. As it follows that crime's repercussions through the chaos and carnage of World War II and into the close of the twentieth century, Atonement engages the reader on every conceivable level, with an ease and authority that mark it as a genuine masterpiece.
One of the New York Times's 100 Best Books of the 21st Century "A beautiful and majestic fictional panorama." --John Updike, The New Yorker On a hot summer day in 1935, thirteen-year-old Briony Tallis witnesses a moment's flirtation between her older sister, Cecilia, and Robbie Turner, the son of a servant and Cecilia's childhood friend. But Briony's incomplete grasp of adult motives--together with her precocious literary gifts--brings about a crime that will change all their lives. As it follows that crime's repercussions through the chaos and carnage of World War II and into the close of the twentieth century, Atonement engages the reader on every conceivable level, with an ease and authority that mark it as a genuine masterpiece.
In 1521, the city of Tenochtitlan, magnificent centre of the Aztec empire, fell to the Spaniards and their Indian allies. Inga Clendinnen's account of the Aztecs recreates the culture of that city in its last unthreatened years. It provides a vividly dramatic analysis of Aztec ceremony as performance art, binding the key experiences and concerns of social existence in the late imperial city to the mannered violence of their ritual killings.
She's skinny, white, and blond. She's Barbie-an icon of femininity to generations of American girls. She's also multiethnic and straight-or so says Mattel, Barbie's manufacturer. But, as Barbie's Queer Accessories demonstrates, many girls do things with Barbie never seen in any commercial. Erica Rand looks at the corporate marketing strategies used to create Barbie's versatile (She's a rapper! She's an astronaut! She's a bride!) but nonetheless premolded and still predominantly white image. Rand weighs the values Mattel seeks to embody in Barbie-evident, for example, in her improbably thin waist and her heterosexual partner-against the naked, dyked out, transgendered, and trashed versions favored by many juvenile owners and adult collectors of the doll.
Rand begins by focusing on the production and marketing of Barbie, starting in 1959, including Mattel's numerous tie-ins and spin-offs. These variations, which include the much-promoted multiethnic Barbies and the controversial Earring Magic Ken, helped make the doll one of the most profitable toys on the market. In lively chapters based on extensive interviews, the author discusses adult testimony from both Barbie "survivors" and enthusiasts and explores how memories of the doll fit into women's lives. Finally, Rand looks at cultural reappropriations of Barbie by artists, collectors, and especially lesbians and gay men, and considers resistance to Barbie as a form of social and political activism.
Illustrated with photographs of various interpretations and alterations of Barbie, this book encompasses both Barbie glorification and abjection as it testifies to the irrefutably compelling qualities of this bestselling toy. Anyone who has played with Barbie-or, more importantly, thought or worried about playing with Barbie-will find this book fascinating.
Rand begins by focusing on the production and marketing of Barbie, starting in 1959, including Mattel's numerous tie-ins and spin-offs. These variations, which include the much-promoted multiethnic Barbies and the controversial Earring Magic Ken, helped make the doll one of the most profitable toys on the market. In lively chapters based on extensive interviews, the author discusses adult testimony from both Barbie "survivors" and enthusiasts and explores how memories of the doll fit into women's lives. Finally, Rand looks at cultural reappropriations of Barbie by artists, collectors, and especially lesbians and gay men, and considers resistance to Barbie as a form of social and political activism.
Illustrated with photographs of various interpretations and alterations of Barbie, this book encompasses both Barbie glorification and abjection as it testifies to the irrefutably compelling qualities of this bestselling toy. Anyone who has played with Barbie-or, more importantly, thought or worried about playing with Barbie-will find this book fascinating.
"Finally, someone takes baseball movies seriously! Baseball: The Movie blends the passion of a fan with the rigorous analysis of a film critic to create a persuasive argument that the baseball movie matters--to baseball, to Hollywood, even to America."
--Ben Mankiewicz, host, Turner Classic Movies Featuring Field of Dreams, The Bad News Bears, A League of Their Own, and more: a probing and entertaining work at the intersection of pop culture and sports Baseball has always been a symbol as much as a sport. With a blend of individual confrontation and team play, a luxurious pace, and an immaculate urban parkland setting, it offers a sunny rendering of the American Dream, both the hard work that underpins it and the rewards it promises. Film, America's other national pastime, which magnifies and mythologizes all it touches, has long been the ideal medium to canonize this aspirational idea. Baseball: The Movie is the first definitive history of this film genre that was born in 1915 and remains artistically and culturally vital more than a century later. Writer and critic Noah Gittell sheds light on well-known classics and overlooked gems, exploring how baseball cinema creates a stage upon which the American ideal is born, performed, and repeatedly redefined. Traversing history and mythmaking, cynicism and nostalgia, this thoroughly researched book takes readers on a multifaceted tour of baseball on film.
--Ben Mankiewicz, host, Turner Classic Movies Featuring Field of Dreams, The Bad News Bears, A League of Their Own, and more: a probing and entertaining work at the intersection of pop culture and sports Baseball has always been a symbol as much as a sport. With a blend of individual confrontation and team play, a luxurious pace, and an immaculate urban parkland setting, it offers a sunny rendering of the American Dream, both the hard work that underpins it and the rewards it promises. Film, America's other national pastime, which magnifies and mythologizes all it touches, has long been the ideal medium to canonize this aspirational idea. Baseball: The Movie is the first definitive history of this film genre that was born in 1915 and remains artistically and culturally vital more than a century later. Writer and critic Noah Gittell sheds light on well-known classics and overlooked gems, exploring how baseball cinema creates a stage upon which the American ideal is born, performed, and repeatedly redefined. Traversing history and mythmaking, cynicism and nostalgia, this thoroughly researched book takes readers on a multifaceted tour of baseball on film.