Author Event

Now that her brilliant botanist daughter is off at college, buttoned-up Maeve Cosgrove loves her job at a quiet Maine public library more than anything. But when a teenager accuses Maeve--Maeve!--of spying on her romantic escapades in the mezzanine bathroom, she winds up laid off and humiliated. Stuck at home in a tailspin, Maeve cares for the mysterious plants in her daughter's greenhouse while obsessing over the clearly troubled girl at the source of the rumor. She hopes to have a powerful ally in her attempts to clear her name: her favorite author, Harrison Riddles, who has finally responded to her adoring letters and accepted an invitation to speak at the library.

Riddles, meanwhile, arrives in town with his own agenda. He announces a plan to write a novel about another young library patron, Sudanese refugee Willie, and enlists Maeve's help in convincing him to participate. Maeve wants to look out for Willie, but Riddles's charisma and the sheen of literary glory he promises are difficult to resist. A scheme to get her job back draws Maeve further into Riddles's universe--where shocking questions about sex, morality, and the purpose of literature threaten to upend her orderly life.

A writer of "savage compassion" (Salvatore Scibona, author of The Volunteer), Sarah Braunstein constructs a shrewd, page-turning caper that explores one woman's search for agency and ultimate reckoning with the kind of animal she is.

In the beginning, it was easy to imagine their future. They were young and giddy, sure of themselves and of their love for each other. "Dept. of Speculation" was their code name for all the thrilling uncertainties that lay ahead. Then they got married, had a child and navigated the familiar calamities of family life--a colicky baby, a faltering relationship, stalled ambitions.

When their marriage reaches a sudden breaking point, the wife tries to retrace the steps that have led them to this place, invoking everything from Kafka to the Stoics to doomed Russian cosmonauts as she analyzes what is lost and what remains. In language that shimmers with rage and longing and wit, Offill has created a brilliantly suspenseful love story--a novel to read in one sitting, even as its piercing meditations linger long after the last page.

Snow. Every language has its own words for the magical, mesmerizing flakes that fall from the sky. In this exquisite exploration, writer and Arctic traveller Nancy Campbell digs deep into the meanings of fifty words for snow.

In Japanese we encounter yuki-onna--a 'snow woman' who drifts through the frosted land. In Icelandic it is hundslappadrífa--'snowflakes as big as a dog's paw'--that softly blanket the streets. And in Maori we meet Huka-rere-- 'one of the children of rain and wind.'

From mountain tops and frozen seas to city parks and desert hills, each of these linguistic snow crystals offers a whole world of myth and story--the perfect winter gift.

Winner of the 2016 National Book Award in Poetry, Daniel Borzutzky's new collection of poetry, The Performance of Becoming Human, draws hemispheric connections between the US and Latin America, specifically touching upon issues relating to border and immigration policies, economic disparity, political violence, and the disturbing rhetoric of capitalism and bureaucracies. To become human is to navigate these borders, including those of institutions, the realities of over- and under-development, and the economies of privatization, in which humans endure state-sanctioned and systemic abuses. Borzutzky, whose writing Eileen Myles has described as "violent, perverse, and tender" in its portrayal of "American and global horror," adds another chapter to a growing and important compilation of work that asks what it means to a be both a unitedstatesian and a globalized subject whose body is "shared between the earth, the state, and the bank."